
Jack Gilpin, Taissa Farmiga, Carrie Coon, Ashlie Atkinson in Season 4 of The Gilded Age. (Photograph by Karolina Wojtasik/HBO)
The Gilded Age Returns With Diamonds, Drama, and Decadence
Old money, new money, and diamonds worth fighting over. As The Gilded Age returns for season 4, we’re uncovering the extraordinary stories behind its most outrageous jewels.
The Gilded Age is back, transporting us to the decadence of the late 19th century with juicy drama, American fortunes, voluptuous ballgowns, and swoon-worthy diamonds. The hit HBO series returned for season 4 on Sunday, November 1, with new episodes airing each week at 9 p.m. ET/PT. We left off with the season 3 finale of Julian Fellowes’ historical period drama, with pivotal changes for our beloved characters among New York’s elite society.
After a brush with death, George Russell (Morgan Spector) lived to see another day. While much of New York society got its happy ending, Bertha Russell (Carrie Coon) and Mrs. Kirkland (Phylicia Rashad) weren’t quite so lucky.
HBO renewed the series for a fourth season after it reached record-high ratings last summer. Through all the secrets and scheming in the dark, the historically inspired jewelry shines through the brightest. Layers of pearls, oversized gemstones, cameos, and loads of gold chains catch your eye on the screen, while diamond tiaras, brooches, necklaces, bracelets, and rings steal your breath. The most lavish diamond jewels are used as an indicator of wealth amid the conflict between new money and old money – each bauble a chess move in the fierce competition among New York’s nouveau riche.
Selected by costume designer Kasia Walicka Maimone, the sensational jewelry is the cherry on top of sumptuous costumes and gripping storylines, set in approximately 1882. Inspired by jewelry from the Victorian era, the assortment is filled with Belle Époque tiaras, Edwardian collars, and even Art Deco and contemporary jewels by the likes of Temple St. Clair and Hayley Elise Jewellery.
Bertha Russell’s Royal Jewelry Ambitions
Nouveau riche social climber Bertha Russell (played by Carrie Coon) and her railroad tycoon husband, George Russell, represent the new money that has made its name among New York’s elite.
Her character draws heavily upon the life of Alva Vanderbilt, the wealthy socialite and advocate for women’s suffrage. She had three children with her first husband, businessman William Vanderbilt – Consuelo, William Jr., and Harold. Together, the couple built “Petit Chateau” at 660 Fifth Avenue. Like Bertha, Alva was shunned by the established “old money” of New York City until she was accepted after a lavish ball she threw.
Massively wealthy, Mrs. Russell often wears the most opulent, audacious diamonds, reminiscent of those worn by royalty. In season two, Bertha Russell attends a dinner party wearing a swirling diamond tiara and a diamond choker, incredibly similar to Queen Alexandra’s Collier Résille, which Cartier crafted in 1904, according to The Royal Watcher.


The Fabergé Tiara With a Royal Past
To attend the opening of the controversial Metropolitan Opera House at the close of season 2, Mrs. Russell wore a recreation of a diamond Fabergé Tiara, originally given to Empress Josephine by the Tsar of Russia.
Known as the Empress Josephine Tiara, its briolette-cut (drop-shaped) diamonds were a gift from Emperor Alexander I of Russia to the Empress Josephine following her divorce from Napoleon. The diamonds were passed down to her grandson, Prince Maximilian Joseph. According to Fabergé, a later owner had the stones incorporated into this tiara. The Belgian royal family acquired the jewel, then passed it down to Queen Maria José, the last Queen of Italy. Finally, the tiara was auctioned off in 2007 at Christie’s in London and is now in the McFerrin Collection, displayed at the Houston Museum of Natural Science in Texas.
Consuelo Vanderbilt’s Gilded Cage
Much like her mother’s links to Alva Vanderbilt, Gladys Russell is heavily based on Consuelo Vanderbilt’s life. The eldest Vanderbilt daughter, Consuelo, married Charles, the ninth Duke of Marlborough, at St. Thomas’s Church on November 6, 1895, when she was just 18 years old. Much like Gladys, she was in love with someone else at the time – Winthrop Rutherford.
As legend goes, Alva Vanderbilt locked Consuelo in her room until she agreed to walk down the aisle to ensure the bride attended her wedding. The pressure was on, considering the Duke had already agreed to a substantial amount of railroad stock and a healthy annual allowance.


The story plays out similarly for Gladys Russell in season 3 of The Gilded Age. With her mother’s help, Gladys is betrothed to the Duke of Buckingham against her own wishes. On the show, Gladys locks herself in her room before deciding to succumb to her noble fate and head down the aisle.
Ahead of her nuptials, the Russell family announces Gladys’ engagement and unveils her portrait by John Singer Sargent (Sargent also painted Consuelo). As the crowd steps away and reality hits her, Gladys clutches her multi-strand pearl choker as it breaks and scatters across the floor. The Vanderbilts are known for the family’s pearls, once owned by Catherine the Great and Empress Eugénie.
As recounted in her autobiography, The Glitter and The Gold: The American Duchess – In Her Own Words, Alva passed down a great many pearl jewels to Consuelo for her wedding. “My mother had given me all the pearls she had received from my father. There were two fine rows which had once belonged to Catherine of Russia and to the Empress Eugénie, and also a sautoir which I could clasp round my waist,” she detailed. “A diamond tiara capped with pear-shaped stones was my father’s gift to me, and from Marlborough came a diamond belt.”
While Gladys wore a diamond floral wreath tiara above her updo on her wedding day, Consuelo wore a diamond Boucheron tiara her father, William Kissam Vanderbilt, had given her.


Peggy’s Engagement Ring Was Worth the Wait
As Peggy (played by Denée Benton) dances the night away at the Kirkland’s ball in the season’s finale, Dr. William Kirkland (Jordan Donica) shocks the crowd, asking her for a dance and then getting down on one knee. Just when she felt like all was lost, Peggy finally got her happy ending.
Peggy’s engagement ring featured pearls and diamonds in a floral cluster style, set in yellow gold. Though the jewelry in The Gilded Age is anachronistic, many thought the ring leaned more toward mid-century modern than Victorian.
The Diamond Stars That Broke Society’s Rules
While hosting the Duke of Buckingham for the first time in season 2, Gladys Russell wore four large diamond-encrusted stars in her hair, undoubtedly influenced by the Empress Elisabeth of Austria’s famed diamond stars, as depicted in her portrait by Franz Xaver Winterhalter.


Lady Sarah, the Duke’s sister, even used this season to reprimand Gladys for choosing celestial hair ornaments instead of a tiara, which led to the dismissal of Gladys’s lady-maid, Adelheid, who recommended Gladys wear the piece in the first place.



